Showing posts with label characters. Show all posts
Showing posts with label characters. Show all posts

Tuesday, November 11, 2014

...Authorship-ism-ology exploration continued: Characters...

****PLEASE NOTE: This is an old post. I no longer post on this blog. For more information, to visit my new blog, or to contact me, visit HERE****
 

OK all, we're two weeks into November, and so far...I'm doing alright with my NaNoWriMo challenge to write 50K in 30 days. There are many aspects of pre-planning your story (including outlining and brainstorming, which I discussed in one of my last posts) that have helped me get this far. But this post is about my character development. 

While plot and setting are important, characters are what drive the story--they are the voice(s) behind the telling. So, naturally I want to understand them as best I can before I dive into writing the world from their perspectives. 

  • If I can think like them, that means readers should be able to as well. 
  • The last thing I want is for Reilly and Sam to be muddled in any way, so that's why I've dug a bit deeper into what they look like, what their hobbies and favorite places are, asked myself what their fears and passions might be, and what it is that drives their actions.
Finding the right Characters.
One aspect of story building that I usually enjoy is finding a physical representation to reference for my character inspiration. This is both fun and frustrating because it's not often easy to find that perfect muse or reference. But, when I do find it, it truly helps everything else fall into place.

People have asked me why, if I'm a good writer, do I need a picture for inspiration, especially if the character is so clear in my mind? 

Great question, and for me, it's like this... 

  1. I'm not a great writer. I'm a novice, and I can only achieve so much with my imagination and writing ability so early in my writing career. I'll take all the help I can get creating characters that don't really exists. Would a poet be able to write poetry without having lived through what they write, at least in some small way? My characters are IN MY MIND, so it's easy to overlook certain traits and behaviors about them that my mind glazes over. A physical reminder helps me keep the descriptions and actions dynamic.
  2. I'm no expert. I don't know what it feels like to lose my father, and I wouldn't be able to write about my character's reaction without doing the research or talking to those who have lived through something so traumatic. Physical research and appreciation isn't any different. All aspects of a character deserve due diligence if they're going to be authentic.
  3. No such thing as a brand new character. No characters--looks or character traits--are completely made up. There's generally a living person who brings their image to life, a television character or college roommate, a teacher or the girl next door that contributes to the person in your head. Writers use what they know, and I'm a visual person.

Organization.
Generally, I'm an indecisive, easily distracted, and unorganized person. So, there are steps I'm learning to take and tools I'm exploring to help me stay focused, visualize the scenes, and get to know my characters with a bit more ease.

Pinterest

While most people use Pinterest to pin recipes and craft ideas, I use it to organize and visualize my story ideas through pictures I can reference while writing.
Some of my Pinterst Boards - Story ideas and inspiration

I can also collage the photos I've collected on my Pinterest boards to compile visual tools like these...


Story Boards and Introductions:


Sam's Story Board
Meet Samantha Jenner, a simple girl living in a overly complicated world. Once sweet and endearing to the few people she holds dear, everything changes after a horrible accident. Her innocence turns jaded, her timidness solidified to distrust and the need for control. Sam's a care giver and has nearly perfected the art of lying--to others and to herself. Though naivety has shredded her heart, loss has shown her that vulnerability is the most dangerous emotion. 

On any given day, Sam enjoys the outdoors and camping with her friends. When she's not mucking out stalls, riding her old gray mare, Shasta, or taking care of the only family she has left, Sam does all she can to keep busy...she'll do whatever it takes, as long as she's not alone with her thoughts for too long. Loneliness welcomes thoughts, and thoughts conjure guilt and sadness, two emotions that have helped mold her into the dark shadow of herself she's become.


Reilly's Story Board
Meet Josh Reilly, a heart breaker to some, best friend to others, and an arrogant bastard to the one woman he wishes would just give him a damn chance. This military man is no stranger to hard word, taking chances, and living life to the fullest whenever possible. Despite what some may argue, Reilly prides himself on his loyalty--even when it gets him into trouble and nearly ruins his life. But life decisions, good and bad, have taught him that he has to work for what he wants, no matter how daunting the task, if he ever wants to find true happiness.

For fun, Reilly likes to play baseball with the guys, live a little dangerously, and work with his hands (wink). A perfect date would be drinking a beer by the bonfire down at the lake, listening to old rock'n roll, and sharing embarrassing childhood stories.

~Coming soon: Outlining a Series~
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Friday, October 17, 2014

....Authorship-ism-ology: Brainstorming and Outlining...

****PLEASE NOTE: This is an old post. I no longer post on this blog. For more information, to visit my new blog, or to contact me, visit HERE****

Brainstorming
I start with getting in the right mindset. It's hard when you've got another story and characters so prominent in your mind (The Ending Series). So, wading around in my ideas, sketching and observing while watching a show or movie sometimes helps inspire me to get into the "New Story" frame of mind. Thus, the birth of my new story notebook. While "Reilly" is only my working title, it's the only title I have right now, so...


Lindsey Pogue - Author Story Notebook Reilly
"Reilly" Story Notebook

The Basics
Reilly was the original title for the story I wrote when I was in high school. At the time, I deemed it a masterpiece and marked it "completed". Now that I'm older and have written a book or two, I've learned a thing or two that was glaringly wrong in my old Reilly manuscript:

  • A story with only 20,000 words isn't a novel, but a short story or novella.
  • Although I want my stories to be riddled with emotion, they've got to have a happy ending - otherwise I'm depressed writing the damn thing. So the originally Reilly story is getting a major face lift and rework, hopefully leaving plenty of grit and emotion in the mix while providing an ending that is satisfying to me and readers.
  • I've got to develop my characters more, hence the extensive outlining process below.

Key issues I've had while working on "Reilly":

  • Getting out of my own head. Just because I wrote a certain story line fifteen years ago, doesn't mean it's good or that I have to stick with it. As much as I know that, it's hard to work through something that's so solidified and concrete in my mind. no matter how horrible parts of it is.
  • Writing is a courtship, not a marriage. Things change, ideas come up, and characters take the story where they want to. Wait until you're finished or 100% certain of something before you decide to commit, it will make everything so much easier.
  • Keep exploring cover ideas and title ideas and series ideas, write them down, run with them, do whatever is needed in order to stay inspired and keep the creative juices flowing.

Lindsey Pogue - Author Brainstorming Outline Reilly
Ideas, characters strengths and weaknesses, etc.

When the Muse is a no show
In my world, libation equals creation. There's no better way to free your mind than a glass (or two) of wine. It may sound silly, but there's something to be said for getting out of your own head and letting your mind wander, most often stumbling across something magical that would've otherwise remained uncovered.


Fancy Pants Wine for Brainstorming - Lindsey Pogue Author
Fancy Pants, I show that story who's boss...

Outlining

This is a long process with lots of twists and turns, revisions and road blocks. I've spent a solid two months developing my characters, exploring the story, bouncing ideas off friends, all so I could get a solid outline. Let's be honest, outlining is a great intention to have, but things always change as I mentioned above. So, use it as a guide, but don't resist the desire to explore or take another, unexpected road.


Lindsey Pogue Author - Extensive Reilly Outline
Extended Outline - Chapters, setting, characters and notes

So, obviously there is much to learn when writing a novel by yourself. It's strange how different it is than writing a book with someone else. There are many elements that are very much the same, like brainstorming with friends, deciding what actions and situations are best suited for your characters, while others aspects are completely different, i.e. coming up with your own story line, deciding where you want to take the story, with the help of your characters, of course. Either way, it's the life of a writer, and I'm only beginning to scratch the surface.

I'll be posting my character story boards and character explorations next. Stay tuned!

***** 

If you're interested in my writing progress and other news, you can find me here:

Thursday, September 25, 2014

...Another phase of Authorship-ism-ology: Solo projects...

Authoriship-ism-ology
As I've mentioned before, every day I'm discovering, navigating, and learning the world of authorship-ism-ology. So far, the phases seem to break down like this:
  1. Deciding to take writing seriously - taking a chance
  2. Starting a business with my writing friend now partner
  3. Co-writing my first book and actually publishing it for people to read, love it or hate it
  4. Learning how to market myself
And now... 5. I'm Embarking on my first solo project

Before I delve into the fourth and final book in The Ending Series, Before The Dawn, which we start outlining in January, I've decided to flesh out and better develop a manuscript I wrote in high school--a story currently called Reilly. Given the fact that my writing experience 15 years ago was somewhat limited, Reilly is merely a rough outline to work off of. BUT National Novel Writing Month (NaNoWriMo) is in November--just around the corner--and my goal is to have the first draft of Reilly completely written by November 30th. That means I've started developing the plot, outlining, character building, content writing, and so much more NOW so that I'm ready come November 1.  This new project is both awesome/fun/exciting and daunting/difficult/time consuming.


If you've ever participated in NaNoWriMo, you know you're either one of two types of writers: a "planner" who has an outline and plan for the story before you sit down and delve in. This could be chapter by chapter notes or an overall, more general plan. OR you're a "pantser", someone who writes without much of a plan at all...you let the story and characters lead you when you're "in the zone". I'm clearly a planner, I have a badge for it and everything:


The bare-bones...until my characters decide differently:

  • Samantha's had a life filled with abandonment and heartache, and most recently she has Reilly to blame for her life being turned completely upside down, or so she thinks.
  • When Reilly decides to enlist in the military, she couldn't be more happy or relieved.
  • But the loss of her father isn't where it ends. Soon her boyfriend ditches her, leaving her alone with a shattered heart and overwhelming emptiness she yearns to fill. Luckily she has her friends and family to rely on, but coping is one thing Sam's never been all that good at.
  • A couple years later, when Reilly comes back to town on leave, Sam's forced to look at two things - what really happened that night that continues to haunt her, that night all those years ago that Reilly took her father from her, and what the hell is she going to do about it?
  • While Reilly wants her to let him in, to know the truth, she's not ready to listen or forgive him. Opening herself up to yet one more person is counterproductive in her plan to "stay in control" of her life. 
  • But in the end, Sam has to ask herself what's more important, grasping on to the past or taking a chance on an unknown future, one that is sure to leave her vulnerable, but is the only way she'll ever be able to move on.
I have some great characters in mind for this story, and the series in general. There's comic relief (my personal favorite), the characters I hope will make you cry, and as always, those who will make readers swoon. Although still in the early stages, hopefully this is going to be a story that pulls at people's heartstrings as much as it makes them laugh out loud.





Stay Tuned.
Over the next few weeks, I'll be sharing with you some of my thinking and writing processes with you. I'll delve deeper into:


  • how I discover more about my characters
  • building a setting and choosing certain elements of a story
  • brainstorming and outlining
  • building a new series from scratch - a first look at book two and three
  • title, cover rework, and official blurb process 
Why am I doing this? Because I'm learning as I go, and why not share my journey with others who might also be interested in writing? Also, I'm a visual person. In truth, organizing myself here helps me stay on track with my deadlines, forces me revisit my settings and plot and characters, all of which are helpful for me when trying to keep the Ending Series characters at bay while jumping into a completely new projects that hasn't been on my mind for the last 3 years, especially when you're going full speed ahead.

It's all about FOCUS, which is difficult to attain when you have way too many ideas floating around in your head, like me.


Saturday, July 19, 2014

...the final novella - Jake & Clara...

So, everyone, the final Ending Beginnings prequel novella is finally out and ready for you to devour. 
It's been a bitter sweet process, trying to write these and finish book 3 all at once. However, it's been really fun and enlightening being able to delve deeper into our characters, and I think that will really show as LF and I move forward with the series.

Without further ado, here are the first three chapters for your perusal (purchase links are also included).





Ending Series Blog (FREE for a limited time only)


The final of six The Ending Series prequel novellas.

The virus changed everything. This is how it began.

After his sister’s death, Jake is determined to seek revenge against his best-friend-turned-enemy. However, after meeting Clara, who's as convincing as she is unnerving, his plans change completely.

Clara has all but given up on finding her Prince Charming, but the moment Jake walks into the hospital, her future becomes much brighter, despite the world-ravaging virus that's turned everything upside down.

But traveling across the country together proves more difficult than either of them expects, and just when they both think the world couldn't get any worse, it does.

1
Jake

Jake sat on an overstuffed couch in the hospital’s rec room, the stark furniture and barren walls brightened by the muted, flashing television. The President’s address looped on the radio at the nurses’ station behind him, and the more the words sank in, the more his mind reeled. A global pandemic? Start over? Build anew? Was that even possible? Amidst his chaotic mind chatter, Jake wondered what the hell he was going to do next.
Rising from the couch, he took three steps toward one of the barred windows across from him, braced his hands against the wall on either side, and let out a long exhale. He stared out at the crashed Cadillac and the few buildings that were visible through the trees across the road. Despite the fact that the city was enshrouded in midnight, it was so changed. It was desolate, like living in the country, but in a more unnatural way. There was no one catching a late night cab…there was no traffic. Street lamps illuminated the haphazardly parked cars on the snow-covered pavement, and a lone, scraggly terrier trotted down the sidewalk, a leash dragging in the snow behind him. The dog stopped and sniffed around the back of the Cadillac, no doubt searching for the remnants of the chips Kyle had left behind, before trotting out of sight.
Choked sobs came from the cafeteria down the hall, breaking Jake’s concentration. The nurse, Roberta, hadn’t been able to calm Kyle down since the kid realized his father was dead, and it was beginning to grate on Jake’s nerves.
As much as he thought he should care about the situation he was in—the disease, the billions dead, the pandemonium—he couldn’t, not really. The memory of Becca, struggling as she took her final breath, was too fresh in his mind, too raw. She was gone; Gabe took her away from him.
Jake’s hands clenched into fists. He needed to stay focused. He needed to get to Peterson Air Force Base. He needed to find Gabe…to hurt Gabe. Emotions boiling, Jake let his hate and anger fuel him into action. He let out a resolute breath and pushed away from the window.
But as suddenly as Jake turned around, he stopped. Clara, the blonde-haired woman whose blue eyes were too assessing, stood in front of him.
Her head was tilted, her lips pursed, and her gaze flicked over his body. “Are you alright?” she asked, her voice light and curious.
Giving her a curt nod, Jake brushed past her with the intention of heading toward the cafeteria.
Clara reached out to him, her hand lightly clasping his biceps.
Body tensing under her touch, Jake froze, looking down at her pale, delicate hand, then into her penetrating eyes.
“It was nice that you tried to help that man,” she said, and a small smile pulled at her lips.
Jake made a derisive noise. “Yeah, well, apparently it wasn’t enough.”
Her brow furrowed, and she let go of his arm. “You did what you could.”
Nodding, he started to take another step.
“You’re leaving, aren’t you?”
Jake frowned and paused again, wondering why she cared one way or the other. “I never should’ve stopped in the first place.”
“No?” Clara’s soft voice turned sharp, and she walked to the window Jake had been staring out of only moments before.
She was scared, he realized. He should be scared. “You’ll be alright here,” he said, his voice carrying a weak attempt at comfort.
Clara muttered something he couldn’t hear.
He tried again. “You have food…Roberta and the other nurse…”
But Clara seemed unfazed by this words, and she turned to face him. “If it’s so safe here, then why won’t you stay? Why leave three helpless women and a child alone?”
Jake shook his head, uncertain why he felt the need to explain anything to this woman. “There are things I have to deal with.”
After a few impatient steps, Clara was directly in front of him. “Take me with you, please?” Her eyebrows lifted and drew together.
“No,” he said. “That’s not going to happen.” He suddenly needed to get out of the room as soon as possible.
“Please.” Like a blade, the word cut into him, threatening to sever his last shred of decency. “Please,” she whispered.
Unable to resist, Jake turned around.
Clara’s eyes were even more pleading than her voice, they were shimmering, and her chest was heaving. “Please,” she repeated. “You have to take me with you. I can’t stay here. You don’t understand, I’ll die if I stay here…”
No. The word was on the tip of his tongue, but it felt leaden and uncooperative. “I have to go to Peterson, alone,” he reminded himself. “I have to go.”
“What’s in Peterson?” she asked, so close that her presence was distracting him. When he didn’t answer her, she continued, “Is it safe there? We need to leave…to go somewhere safe. Please take me somewhere safe, Jake. I can’t bear to be here—in this place, in this city—any longer.”
Slowly, Jake’s eyes shifted to hers, his mind feeling muddled. Words tried to form, and he tried to shake his head, to refuse her pleas, but he couldn’t. There was something about her…something unsettling that made him want to walk away and never look back. But another part of him wanted to give into her…to take her with him…to leave Colorado Springs and find somewhere safe…
Clara reached out to touch his arm again, and Jake flinched away.
Straightening, she seemed to collect herself in a single, fortifying breath. Then, when her eyes met his, it was like they were piercing into his soul. “Please.”



2
Clara

“I just need to grab a few things from my house,” Jake said, his voice gruff.
As far as Clara could tell, he hadn’t spared her a single glance for over an hour, not since they’d climbed into his Jeep back in Colorado Springs and sped away from the hospital for good. Jake’s intense focus on the road ahead had only increased since leaving the eerily desolate, looted city behind.
“Okay,” Clara said softly. She allowed herself a quick peek at him out of the corner of her eye. One of his elbows was propped on the door as he drove, his head leaned against his upraised hand, just as it had been since he first pulled away from Pine Springs Hospital. “Do you want to rest for a little bit? Maybe stay—”
“No.” Jake sounded exhausted…or irritated…or both. His fingers tightened audibly around the steering wheel.
Clara had been casting discrete glances in his direction since they’d been on the road, struggling to understand why his mood had darkened so much. They’d barely interacted at all, other than breathing the same air; there was nothing she could’ve done to upset him, at least nothing she could think of.
“If you’re sorry about leaving that little boy behind with Roberta, don’t be. She’ll take good care of him.” Clara waited for some sort of reaction from Jake as he guided the Jeep off a frontage road and onto a dirt driveway that disappeared over a slight hill.
Jake raised one shoulder in a minimal shrug. “He’s better off with the nurse than he is with me.”
Blatantly this time, Clara eyed him. “Is it the kid’s dad that’s bothering you—that he died?”
Finally, Jake tore his gaze from the windshield and looked at her. In the darkness, his eyes seemed empty. “No. I’m fine.”
Even with questions burning on her tongue, Clara decided it was best to let the topic go. The last thing she wanted to do was upset her Prince Charming before they’d even had the chance to get to know one another. At the rate they were going, it would be a long time before that happened, Clara thought bitterly.
She wanted to express how grateful she was to him for bringing her along, but he clearly wasn’t in the most receptive mood. Back in the hospital, she’d seen his resolve, seen the way his eyes had burned with determination to do something reckless, and a desperate fear had ignited inside of her. Clara’d all but willed him to take pity on her, to abandon his suicide mission—whatever it was—and take her somewhere safe; she’d wanted to be with him with every fiber of her being.
Although she knew what her own reasons were for wanting to leave with Jake—she was drawn to this alluring, protective man who she would willing spend the rest of her life with—she was clueless as to his reasons for changing his mind and allowing her to tag along. He didn’t seem to care that he’d found her in a psychiatric hospital; in fact, he hadn’t asked her a single question about it. To Clara, the fact that he’d been able to look past that proved there was something real and intense budding between them. They were meant to be together, and she just needed to hold on to that.
She almost smiled. What an interesting story they’d have to share with their children one day…
Clara couldn’t dismiss her curiosity about his past though, especially if his day had been anything like hers, filled with crazy murderers locked behind metal doors and rooms housing cold, dead bodies. If that was the case, it was possible that the man sitting beside her wasn’t the man he’d been yesterday. After all, he’d wanted to go to Peterson Air Force Base so badly that he’d almost refused her plea. It was her obvious fear, she thought. Her fear mixed with their simmering attraction had finally won him over.
Clara smiled inwardly. Her path had crossed with Jake’s for a reason, and now this tall, dark, and handsome stranger was taking her away from the hell she’d woken up in. It was like her own fairy tale was being written, jumping off the page, and becoming her reality, and despite her Prince Charming’s grim mood, her body was humming with giddiness. He’d proved just how noble he was when he tried to save Kyle’s father, even if he and Roberta had failed, and he’d saved her by bringing her with him, despite his initial reservations. No, Jake was the real thing, nothing like Andrew. Jake had proved he was a man of good conscience, that he was valiant, even.
Joanna could have Andrew and his mind games.
Silently, Clara chided herself for letting her thoughts run away from her. She knew it was stupid to believe in fairy tales, especially after how much trouble they’d gotten her into. But the little girl bottled up inside her still hoped, with all her might, that she could still have a shot at her own happy ending.
From the corner of her eye, Clara studied Jake’s profile. Once again, his gaze was fixated intently on what lie beyond the windshield. Strength radiated off of him in nerve-settling waves, making her feel grounded and safe.
Staring out the passenger side window, Clara watched as the tree-lined horizon brightened with the subtle glowing hue of sunrise. After a few more bumps in the road, the Jeep crawled to a stop before a small farm house, just behind what Clara assumed was a snow-blanketed sedan.
Her gaze settled on the car. It looked like it hadn’t been moved in days. Whose was it? When Clara turned to ask Jake, his eyes were no longer empty, but illuminated by the dash lights; they were dark pools of pain.
Clara’s stomach turned sour. She thought he was probably thirty or so, which meant he could have a wife…and children. Why had she not considered the possibility sooner? With a minimal sense of guilt, Clara hoped that maybe his family was dead, just like everyone else seemed to be.
Taking a deep breath, she glanced around at her surroundings while Jake sat, unmoving, beside her. There were pine trees with snow-laden branches littering the land, and she could make out what appeared to be a separate, rundown garage behind the house; it was so old, it looked close to crumbling. No wonder Jake had seemed reticent to come home, Clara thought. The place was depressing. Although the house seemed charming enough, snuggled in among frozen trees and a few inches of snow, the porch light revealed pieces of pale paint curling off the wood siding, giving Clara the impression that Jake’s past wasn’t one of privilege, but one of hardship and struggle.
A small smile curved her lips. It was just one more thing they had in common.



3
Clara

Hot, stinking breaths heaved against the left side of her face, dissolving what few pleasant thoughts she had left. Dogs. Clara didn’t do dogs. Cooper was propped up on the center console, separating her and Jake.
In silence, Jake stared at the house, completely oblivious as the Husky licked the side of her face, making her cringe, his wet nose cold against her skin. Letting out an annoyed breath, she turned away from him and tried to school her revulsion.
“Are you going inside?” Clara asked, her tone harsher than she’d intended. She wasn’t sure why Jake had needed to come back to this place, but she hoped they wouldn’t stay long. The thought of being in a house—a home—he might’ve shared with another woman made her heart seize and her blood burn.
As if her words had stirred Jake into action, he opened his door and climbed out of the Jeep before Clara could even remove her seatbelt. Cooper leapt into the driver seat, his bushy tail swatting her in the face before he, too, jumped out of the Jeep and began sniffing around in the snow.
Reaching for her own door handle, Clara briefly met Jake’s eyes from where he stood at the open door. She stilled. The way he was staring at her—inscrutable emotions shadowing his eyes and tensing his expression—made her feel uncomfortable, almost unwanted. She bristled.
“I’ll be back in a minute,” he said. “You should wait out here.”
Clara didn’t know who might be waiting for him inside, but she wasn’t about to give him leeway to change his mind about her. “Do you mind if I come in to pee?” she asked. She cast her eyes downward, hoping to look timid. “I won’t get in your way.”
After a frustratingly long moment, Jake nodded and shut the driver side door.
Opening her own, Clara slid out of the passenger seat. As soon as her feet crunched down into the slushy snow and a frigid wind gusted past, she questioned her decision to leave the warm confines of the Jeep. Shivering, Clara yanked her scarf out of the backseat and wrapped herself up. She would learn nothing about Jake by waiting for him; she needed to go inside.
Brushing stray bits of dog hair off her black peacoat with one hand, Clara shut the door with the other and followed after Jake. She found it increasingly difficult to walk in the snow. How long had it been since she’d gone outside? Two weeks? Three? Being locked in the hospital hadn’t afforded her much leisure time to be out and about.
Jake, however, trudged through the snow easily, and his footsteps sounded heavy as he walked up onto the porch and stopped before the front door. He fumbled to fit his key into the lock. He was anxious, Clara realized. Something about this place unnerved him, and the realization made her uneasy, too.
When Jake finally managed to push the door open, Cooper trotted inside. Jake, however, remained at the threshold, staring into the darkness as if it housed all his demons and childhood nightmares. Clara stood behind him, waiting, wondering. After a long, deep breath, Jake took a hesitant step into the house, Clara following tentatively behind.
She knew why she was reluctant to be there, but was wary about why he was. “Is it safe?” she asked as she entered what appeared to be a haphazardly decorated living room washed in predawn light. There was a sharp, acrid scent in the air that she couldn’t place.
Jake flicked on the light switch beside the door, and the overhead light flared to life, but he stood rigid, motionless.
Taking a timid step toward him, Clara peered over Jake’s shoulder and gasped. There was a large blood stain and what appeared to be dried vomit on the hardwood floor across the room, near a hallway. “Oh my God,” she breathed. Her hand flew to her mouth. “What happened?”
Cooper began sniffing around the blood and vomit.
“Leave it, Coop,” Jake ordered, and the dog lifted his eyes to his master’s before whining and retreating down a dark hallway.
Clara could only imagine the horrifying scene that had played out in this room, and she wanted nothing more than to comfort Jake…even if she was relieved to learn whoever else had lived there was apparently dead. “What happened?” she repeated, slowly reaching for Jake’s shoulder.
Jake stepped out of her reach. “The bathroom’s in there,” he said, pointing to a closed door in the mouth of the hallway before following after Cooper. A light flicked on further down the hallway, and Clara could hear Jake rummaging around in what she assumed was probably his bedroom.
Questions mounting and bitterness sprouting from his disregard for her concern, Clara shifted her stare back down to the blood on the floor and tried to let the fact that Jake had completely ignored her roll off her back. He was obviously still coping; she would give him time to come around.
Clara listened to Jake moving around in the room down the hall while she studied the stark living room, devouring every single detail from the scant décor to furniture he’d no doubt bought at a garage sale or a thrift shop. Her gaze landed on a brown leather sectional that rested beneath a picture window, and a small, black purse—its contents sprawling out over the cushions—that was discarded there. Her eyes narrowed.
Forcing herself to look away, Clara peered around at the walls, but there was nothing of interest on them aside from three patches of paint coloring the space between the front door and the large window—one mocha, one taupe, and one that was more of a sage. There weren’t any pictures to scrutinize, nor any artwork or sports memorabilia to indicate his hobbies and interests…or hers. In fact, the room was lacking any sort of feminine touch.
Honing in on a desk situated against one of the walls across from her, Clara walked toward it; its old-fashioned charm and messiness stood out in the bachelor-esque space. Papers were strewn around on the desktop, a couple nursing textbooks were stacked to one side, and highlighters and pencils were scattered among the crumpled papers instead of inside the empty “Got Coffee?” mug that held only a single pen. The desk seemed to be the only part of the house that wasn’t meticulous—other than the blood and vomit she’d bypassed—and the only thing that had much character at all.
Nursing books? Clara looked behind her at the purse on the couch, a Coach knockoff. Jake had definitely had a woman in his life, and based on all of the evidence, Clara guessed the desk was hers.
Just as Clara looked down at the desk to study what was written on the papers—to look for a name or study the style of penmanship—Cooper scampered into the room, his nails clacking on the hardwood, making her jump.
“Stupid mutt,” Clara muttered. He trotted into the kitchen, where a half-filled food bowl awaited him beside a round dining table. Wondering if they could leave the dog behind, Clara watched as Cooper scarfed down his food. She could hear the crunch of dried kibble and the sound of the bowl clanging against the wall with each impatient bite. She wasn’t sure why the dog’s mere presence annoyed her so much, but it did. She rolled her eyes.
Hurrying back up the hallway, Jake entered the living room with two large duffel bags slung over his shoulders. “I need to grab a few more things from the garage.” His eyes darted to Clara’s, and she blushed, wondering if he could tell she’d been snooping. “I’ll be right back,” he said, dropping the bags near the front door. “There’s food in the cupboards.” He strode back into the hallway, opened a door that revealed a closet, and pulled out a canvas bag filled with more bags. “Fill these with food that won’t spoil,” he said, thrusting them at her. “There are more paper bags underneath the sink if you need them.” With that, he headed through the kitchen and out a side door, leaving Clara standing by the closet with the canvas bags balled up in her arms.
She definitely wanted Jake to think she was useful, so she went to work, filling the bags with as much food as possible. After stocking them with granola bars, beef jerky, crackers, an almost empty bag of trail mix, a few plastic cups, bowls and spoons, cans of soup, and several bags of chips, Clara grabbed the few apples and oranges that were sitting in a fruit bowl on the counter, stuck them in one of the bags, and left everything on the kitchen table. With a sigh, she headed into the bathroom since she’d use it as her excuse for following him into the house to begin with.
The moment she flicked on the bathroom light, Clara’s eyes found and lingered on the two toothbrushes in the holder. Closing and locking the bathroom door behind her, she tried not to feel angry or hurt, but it was impossible. She pictured Jake standing in the tight confines of the bathroom, his arm brushing against a woman’s as he stood beside her…washing up before they crawled in bed together for the night.
Unbidden, an image of Joanna flashed through Clara’s mind, and she momentarily saw red. Realizing there was no possible way Joanna could’ve known Jake, that she could’ve been in any part of his life, Clara rolled her eyes at her own ridiculousness and went about her business.
When she was finished, she washed her hands and face, then took a long, scrutinizing look at herself in the mirror. She stared into her shadowed, blue eyes, wondering if she might look like the woman from Jake’s past. She squinted and turned her head to the side, examining her jawline and pointed nose. She wondered what Jake thought of her appearance as she ran her fingers through her long, blonde hair. Was he helping her because she looked like the other woman? Clara realized that must be it. Why else would he keep his distance but be unable to let her go at the same time?
It was all starting to make sense—the conflicted cast to Jake’s eyes, his hesitation. Clara wondered what else might be storming behind his intense gaze and quiet manner.
With a sigh and a promise that, one day soon, she would ask Jake all of her questions, Clara flicked off the bathroom light and opened the door. The living room was silent, meaning Jake was still in the garage. Unable to resist the temptation, Clara took the opportunity to explore the rest of the house.
She took a few quick steps further down the hall and stopped in the doorway to the room Jake had been banging around in earlier. Switching on the light, she noted that the bedroom was in disarray, but after all the drawer-slamming she’d heard, she wasn’t surprised. What did surprise her—and fill her with relief—was the lack of anything feminine in the small space. The dresser drawers were open, but all Clara saw were white t-shirts and a lot of neutral-colored long sleeve shirts. There were no pictures or jewelry boxes resting on top of the dresser, no photos hanging on the walls or decorative pillows on the bed, and the nightstand had only a glass of water and an alarm clock. There was nothing to make Clara think that Jake had shared this room with a woman.
Her heart lightened.
Turning off the light, she backtracked up the hall, stopping in a different doorway. With another flick of a switch, the room was illuminated, and Clara finally began to understand. Jake hadn’t lived with a spouse, but perhaps a roommate or sister. The bedroom was messy but feminine. A Queen bed was situated in one corner, a comforter balled up on top, and textbooks and tissues were scattered on the floor. Framed, scenic photographs, brightly colored painted canvases, and corkboards cluttered with scraps of paper and magazine cut outs decorated the walls around the room.
“You shouldn’t be in here,” Jake said from behind her.
Clara startled. “Is this your sister’s room?” she asked, standing in the center. She hadn’t even realized she’d entered it.
Jake stared at Clara, giving her a quick nod before turning and leaving the room. “Come on,” he said from the hallway. “It’s time to go.”
She could tell he was trying to control his temper. The chill in his voice sounded more like hurt and sadness than anger, and she suddenly felt horrible for snooping—relieved the woman was his sister, but horrible, too.
Hurrying after him, Clara entered the living room.
Jake wasted no time in handing her a few of the food bags and nodding to the open front door. “We’ll put as much as we can in the back of the Jeep, but it’s getting full.”
Clara lugged one of the bags up onto her shoulder. “Can I help you pack anything else?”
Jake shook his head. “I’ve already put as much fuel as I could find in the back.” He scanned the living room and kitchen. “We should have enough food to last until we get to Indiana.”
“What’s in Indiana?” Clara asked, heaving another bag of food onto her other shoulder.
As Jake stared at her, his face softened, just a little. “A safe place, I hope.”



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Sunday, October 20, 2013

...character quote...



I like quotes, especially when they mirror my very thoughts, but I could never pinpoint them or formulate the words...

"I don’t have a very clear idea of who the characters are until they start talking." ~JOAN DIDION